More Pages: Turner Page 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90


Brilliant, Provocative, Disturbing . . .
crunch your brainHe talks about history and the linear construction of time, and how this has framed our thought processes. Because of this artificial linearizing of time, he pokes fun at "ends." For Baudrillard, time has, more or less, stopped. It is no longer a question of forward or backward.
He argues that we are speeding towards hyperreality, where everything is sterile and eternal. Using the example of the compact disc, he says (roughly) "If objects no longer grow old when you touch them, you must be dead." We need to see and experince death and decay to constitute life. My only concern is this implicit statement that there is a kind of default nature positon when things were right (vinyl records, no email, news travelling via mouth, etc.).
Overall, brilliant and stimulating.


Refreshing
a very honest look at the life of the artist of faith1. It is uncompromising, both in its descriptions of the artist's mind, dreams, and motivations, and also in its exacting analysis of what it means to be a Christian. Turner pulls no punches in describing the incredible dichotomy between the gift of new life we have been given as a result of faith in the death and resurrrection of Christ as atonement for our sins, and the very emotions, dreams, insecurities, and passions that drive the artist in his or her creative endeavors. It is true, at least in my experience (and as Rory Noland has written in his very good book, "The Heart of the Artist"), that Christians in the arts are often more prone to temptation since they allow their feelings and passions to not only enter in to their work, but to drive it.
2. It puts out a call for artists to not only do art in the church to glorify God, but especially to do art OUT in the world to carry His message of salvation to those who do not yet know Him. How often do we hear the statement that the "real" work of the Christian is religious in nature, or takes place in and around the church? But, as Turner writes, "Jesus is Lord" over the WHOLE of our lives, even and especially those parts that are very 'unreligious' in nature. We are called to live for Christ minute by minute.
3. It is also honest in its assessment that the church often does not know what to do with the artists in our midst, let alone present an atmosphere in which they can flourish in their gifts and talents. It is my sincere hope that books like this one and the aforementioned Noland book can serve as a wake up call, letting the modern day church know that there is a powerful group of servants here, and that we need to both minister to them and more importantly allow them to minister to us and to God with their creative talents.
4. Rather than a simplistic "Christian vs. secular" explanation of art in the world, Turner submits a very well-conceived philosophy of five concentric circles of varying degrees of the mix of faith and art. I found this very helpful both in better understanding the art I see in and out of churches around me, and developing my own philosophy of art and faith.
I am the Worship Arts Pastor for a medium-large (approx. 2000 members) Bible church near Dallas, Texas. This book makes statement after statement that my own heart (after nearly 5 years of leading artists, and creating worship services at our church) really resonated with. I found myself underlining sentence after sentence, and often entire paragraphs or pages! This stuff is really that profound.
I hope and pray that the book will help both church staffers and artists find their way to utlizing ALL that they are in the pursuit of God through their gifts. May the church once again become the incredible storehouse and "town square" for the arts that it has been in centuries past; and may more and more Christian artists embrace their gifts and calling, rather than feeling confused and dazed at the apparent lack of understanding by the world in general and the church in particular as to just what makes the artist tick.
I cannot recommend this book highly enough. It has already had a large impact on my thinking, and helped to clarify issues that have been clouded and murky for so long.


Mark Gruhin Chapter Fantastic!
Great Book-Very Interesting....

Communication Theory Comes Alive
theory comes to life

Glorious photos and inspiring text
About the endless battles to protect the Earth

Maritime for MurderTurner's romantic touch is deft, the attraction between Keely and the bold and complex Jay building slowly and subtly. The secondary characters, especially the prickly Delu, enhance the lively pace of a crafted plot through their consistent human motivations. Above all, the sense of place shines through sensory details. Enjoy a bowl of creamy lobster chowder, smell the salt sea air, and pick your way across the jagged rocks dripping with seaweed, until a rolling fog blots out the land that time and industry forgot.
delightful mystery!

Understand Group Process and Train Leaders
A powerhouse of information packed into one paperback.

yeah! 5 out of 5!
Nice companion in the wards

Spearhead In the West........1941-1945
A Very Honorable Tribute to the Great Men of "Spearhead"

Childhood RevisitedI have searched for years to find them and could find no one who had heard of them. I would recommend them for every young girl's library. They teach a lot about honesty, courage, and strength of character in addition to their historical value.
I am so thrilled to see these books in print once more.
Great book
The central theme of this book is that time is becoming an illusion, and I would even say that Baudrillard already believes time has disappeared. Humankind, by falsely believing that time is linear and that "ends" exist, has created a reality out of illusions and is now gradually erasing history in an attempt to make itself "feel" better about living a life that is all but certain.
Baudrillard does not spend a great deal of time wading through previous critics' opinions about the nature of time or what physicists may say about the past, present, and future. He jumps right into his own theories which really ask the reader to rethink his notions about our world and where humankind is going, or as Baudrillard would say - re-visiting - in its attempt to revise all of those little unpalatable events from the past such as the Cold War, Persian Gulf War, and the Timisoara massacre.
Baudrillard is refreshing and shocking at the same time. Although his style is simple and stimulating, his ideas verge on the outrageous and the unpredictable. I recommend this book highly.